Hair by maxine smith
Hair by maxine smith
The snow has been and gone, as fast as it came. A week ago we had clouds of snow & sledging and shooting (I do everywhere I can) was part of our Sunday. My version of a snow angel, otherwise how can I get away with making a child lie in the snow..
All girls are secret magpies. Over this summers shoots I have taken my glitter ball each time and the sequin cape. These 2 props are something that every girl has picked out & wanted to be shot with. The challenge then comes to make each image feel unique to the child that I am photographing. I don’t want to “cookie cut” when taking photographs. You can use the same elements but they have to look different. I’ll just have to get more imaginative each time I guess!!
I get asked a lot about how I get the shots of the children in the way that I do. It is like children are programmed to smile at the camera as soon as they see it. This is something I actively work against. My shoots are fun & we laugh but when it comes to what I shoot I prefer for the camera not to take centre stage.
I don’t think about what I do generally but when photographing this boy, we didn’t even speak the same language. It is an image that sits in my style. Despite our language barriers I have been let into the child’s space & trusted with a camera there.
It made me realise, in the same way as when photographing animals, sometimes the connection isn’t about language but more about time. I take time to interact with those that I photograph, I get let into their spaces & the results say so much more to me because of this.
Children’s photography is a genre dominated but cliques. I’m glad that I get to share my view of their worlds in a slightly different way.
I can’t stop with the Black and whites at the moment. I think this is because they strip all of the emotions out that colour makes our minds trigger. A black and white photograph is about the raw essence of what the film has recorded. The eyes are for me the ultimate connector. You see who a person is.
This image was always going to be a colour edit but as I worked today I was thinking about the power of how an image can be changed & as Kaya is growing he is changing every minute. This image in black and white kind of stops time for me at this point in the summer.
I will never stop loving black and white. It’s where i feel at home. & it is somewhere that i can re-visit as Kaya grows up (and stops letting me photograph him)!
So this is what happens when you are photographing more than one child on a shoot. The others find the body paint pens & draw on each other! Still going in a different direction sometimes has my favourite results. Followed by a very deep bath!
The baby photography industry is a saturated one. There are so many ‘cute’ examples of babies in plant pots, swaddled tightly sleeping or a little girl in a tutu and headband. Although often gorgeous, they just aren’t how I see babies.
I see the world how I see the world. I’ve read how we are the sum of every book that we have ever read, every film that we have ever seen, every song that we have ever heard & how there can never be another one of us as our life experiences are subjective & therefore unique.
My viewpoint of the world doesn’t differ, however old the subject that I photograph. I approach children, as I would adults, as I do babies. This seems to be an unusual approach. I am differing from industry norms because I don’t change my approach for the age of whom I am photographing. I see the world how I see the world & when photographing babies this is how I see it.
Someone asked me this week and asked how I got all the children that I photographed to look so “moody & sad”. I have a tone and a mood that I want to achieve in a proportion of the images that I shoot but I guess the upside is that we do have a lot of fun on shoots. This is how most of the shoot actually looks!
Photographing children is a process of patience, not for this model, she is fab! but this shoot involved a lot going off plan with some of the other models! It all came good in the end, work i’m editing now
I select certain images for my portfolio, but behind the scenes this is what’s happening! A rare glimpse into the behind the scenes of children’s photography!!
The summer of ’76 was a heatwave. I never shoot with an era in place. I want my images to float in some kind of place in history.. but then sometimes a shoot just stops time and routes itself somewhere.
I’m so excited to shoot with these models again, they were a dream!
The shoot is for Kiki Minchin’s Rebel Summer Jewllery collection. It evokes the mood of the summer’s of my childhood.
The editing process is a huge part of photography since the launch of the digital age. Not that it didn’t exist in darkrooms & when shooting with film, just the magic can be shared more easily now… This is an example of how seasons can be changed.
The shoot is for Kiki Minchin’s Rebel Summer Jewllery collection. The brief, to shoot with reminiscence of a vintage summer past.
This before & after post shows an image straight out of camera & after the edit.