Hair by maxine smith
Hair by maxine smith
All girls are secret magpies. Over this summers shoots I have taken my glitter ball each time and the sequin cape. These 2 props are something that every girl has picked out & wanted to be shot with. The challenge then comes to make each image feel unique to the child that I am photographing. I don’t want to “cookie cut” when taking photographs. You can use the same elements but they have to look different. I’ll just have to get more imaginative each time I guess!!
Sometimes my future feels a long long way away. I made the decision to focus on the photography that I love, children’s photography. I shoot commercially for fashion brands & also do portraiture shoots by commission. It is scary sometimes to let everything else go.
There is so much that I love to photograph in this world but when it comes down to the essence of what makes me happy, it is photo shoots with children. I say it a million times but the freshness with which they view the world makes me smile & remember that it is the perspective that we apply that makes us see the positives in life.
Being freelance & actively narrowing your opportunities feels counter productive but at the same time it could just mean I focus completely on where I want to reach. Shooting children’s commercial photography, i’m not going to stop until i’m shooting International campaigns!
* I will still be photographing food, but this is my therapy!!
Hair Styling Vicky M Hair
I don’t often write much here, as I let my images tell my stories. Today though I am going to share an experience I got to be part of yesterday… My nephew, Kaya, got to have his first haircut. Well his first haircut in a barbers. A really cool place in Manchesters’, Northern Quarter, called Close Male Grooming Salon
Close have 4 salons across Manchester & are a chilled environment with experienced & talented stylists. Alex, who cut & styled Kaya, made it fun for him & taught him how to style his hair with products. He ultimately did what I try to do when photographing children.. he treated Kaya like an equal, his opinion counted.
Kaya is aware of the camera, he’s not had a lot of choice, he was who I started photographing & he was the reason I first started to work for others, as they saw the images I created of him & his brother. He had started gelling his hair in the last few weeks & was desperate to have it all cut off to look like singers in bands, or to just express himself. My sister was ace letting me take Kaya to Alex. But this was all about what Kaya wanted. He loved his new cut & loved Alex & can’t wait to go again. I felt lucky to be part of his growing up.
Ultimately what I want all my images share is connection. I always used to say that a good image is made up of 3 parts. Part of me, as the photographer, my viewpoint & narrative. Part of the subject that I am photographing, child, adult or animal. The third part I used to describe as ‘the magic’, ‘the magic’ being the part that made a good image.
As I have evolved I now know there is no such thing as magic, well there is, but it isn’t something as vague as ‘magic’. In fact what makes a good image is in fact a connection.
Photography is an intimate thing. The people that you photograph are letting you into their space, they trust you. Lifting a camera between you is like standing with a sheet of glass between you & the subject being photographed. As a photographer I am constantly talking to whoever I am photographing. I am connecting, it’s humans, it’s what we do. Someone that is being photographed has to trust you. The sheet of glass has to be broken through.
Not just that you understand the light and how to work your camera, but trust that you will show them in the way they want to be seen. This might not stand in the same way with animals or children, but it still matters. They have to buy into what you are creating. I love animals and kids, as I think they let you in & are happy to share their worlds. Obviously some prefer to be photographed over others but when you do break through it is worth it.
I took some pictures of Kaya after his hair cut where he felt very grown up & was so so proud of how he looked. Sometimes though it’s not about how my images look. It’s about the connection. I have them in the black & white images but the image below is my absolute favourite. Kaya is showing how happy he is with his eyes. It’s the image that I will print & put on my wall, as the connection is so strong. It’s one of Kaya’s firsts in his life; feeling ‘like a grown up man.’ I love that everything is still exciting when you are little.
Thanks to Close for letting me photograph, as per my life! & thanks for making Kaya so happy!! He really thinks he looks like a mini Alex!! Check out their Facebook page to see!
The summer of ’76 was a heatwave. I never shoot with an era in place. I want my images to float in some kind of place in history.. but then sometimes a shoot just stops time and routes itself somewhere.
I’m so excited to shoot with these models again, they were a dream!
The shoot is for Kiki Minchin’s Rebel Summer Jewllery collection. It evokes the mood of the summer’s of my childhood.
The editing process is a huge part of photography since the launch of the digital age. Not that it didn’t exist in darkrooms & when shooting with film, just the magic can be shared more easily now… This is an example of how seasons can be changed.
The shoot is for Kiki Minchin’s Rebel Summer Jewllery collection. The brief, to shoot with reminiscence of a vintage summer past.
This before & after post shows an image straight out of camera & after the edit.
I have been so so behind with my editing, life has flipped 180 & turned inside out in the past 3 weeks. I am reaching normality (well my normality) again & editing outstanding shoots. This image was an out-take from a jewellery shoot that I completed for Kiki Minchin. Her jewellery is gorgeous & beautifully stylish in it’s simplicity. She is going to be big in the next couple of years. Watch this space!
The model, Olivia, has an otherworldly feel & one of the things that I love so much about photography is that it has to contain some of the subject, some of the photographer & some magic to resonate as an image. This has all 3 & also it intrigues, as to me, it looks like Olivia’s view is leading to another world, one defiantly found down a rabbit hole. There is a haunted quality & I love that the image could have been a vintage photograph uncovered in a box of an attic somewhere, dusty & undiscovered for decades.